Ludovic Hunter-Tilney has been writing for the FT since 1998.
In 2014 he won the London Press Club’s Arts Reviewer of the year award. He lives in London.
The fivesome’s debut album has the roaring momentum of a young band ready to go
The group’s debut album makes careful and artful use of controversial ingredients
The London leg of the Mañana Será Bonito tour was a fun and frothy pop spectacle on a massive scale
The singer and curator launched this year’s edition at Southbank Centre with a show that lacked momentum
The ‘ye-ye’ scene star came to symbolise the aesthetic of existentialist Left Bank Paris
The long-awaited release of a 1965 live recording of the Georgia Sea Island Singers is musicologically fascinating
The singer-songwriter mingles dreamy melodies with unsettling excavations of a troubled childhood
The megastar was warmly greeted but temporarily frozen on the first stop of her UK tour at Murrayfield Stadium
Hits from Oasis’s 30-year-old debut delighted fans but lumbering B-sides and brotherly rancour dampened the mood
Childish Gambino and Anderson .Paak are among many guest vocalists, but the songcraft feels unvarying and flat
In one of her best albums yet, the UK singer mixes electropop and dance numbers with a new emotional vulnerability
Western motifs are laid on heavily, from Ennio Morricone-style whistling to neighing horses
Basslines churn and riffs storm on the Louisiana band’s new record
The rapper mixed Noo Yawk toughness with expressive shifts in pace and accent in an electric atmosphere
Neil Tennant and Chris Lowe made their back catalogue of classics seem urgent and modern
The Californian rapper returns from an excursion into making darkly comic TV with a thoughtful record
Sima Cunningham and Macie Stewart sing on discordant tracks that sometimes sound like a malfunctioning engine
At their London show, the Dublin band defied stereotypes of traditional Irish music
The singer’s music is energised by her push-pull relationship with fame
The Portishead singer has a powerful sense of feeling in her voice on her solo debut
The Californian singer’s London show was spectacular but also had a strong sense of spontaneity
An apostle of noise fascinated by the dark side of human behaviour
Solemn songs unfold with intense singing, mournful beats and swelling drones
The singer’s London show was distinguished by languid singing and striking choreography
Christoph Dallach documents the musical renegades transforming Germany’s underground scene in the 1970s
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