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Frieze New York 2024

The fair arrives as galleries, braving a downturn, find new ways to collaborate. Also: interviews with artists Amalia Mesa-Bains and Charisse Pearlina Weston, a profile of gallerist Ales Ortuzar and much more

‘Serpentário’ (2023) by Luiz Zerbini © Courtesy the artist/Stephen Friedman Gallery. Photo: Pat Kilgore

Art galleries turn to fresh forms of collaboration as market splinters
Smaller spaces are struggling in a tough economy as mega-galleries poach artists
Artist Amalia Mesa-Bains: ‘I had to be almost 80 years old for this moment to happen’
A pioneer of the Chicano art movement is finally getting recognition for her altar-like installations
Gallerist Ales Ortuzar: ‘I wanted to break the echo chamber’
Ortuzar Projects represents only 14 artists, all with low US profiles
Käthe Kollwitz, MoMA review — incandescent art fuelled by grief and rage
The German artist’s dark oeuvre highlighted social problems with devastating power
Performance artists defy the market
Time-based works are hard to sell — and that can be the point
Curator Matthew Higgs: ‘People have become fatigued by huge art fairs with hundreds of galleries’
Independent Art Fair’s curatorial adviser believes New York’s art market is still growing even during an industry slowdown

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